Recently I decided that our cookware and cooking utensils needed an upgrade because we ruined two of our ancient non-stick frying pans during our last camping trip. In the process of researching kitchenware, I discovered that knives, in particular, had some pretty sweet products available. Unsurprisingly, my collector's mentality kicked in and I started delving deeper into the world of Japanese kitchen knives.

For the past 8 years we've been using an el cheapo knife set that consisted of one 8" chef's knife and three slicers of assorted lengths (4", 6" 8"). I think we resharpened them once throughout their lives with a sharpener that my mother gave us. Part of the handle on one had even broken off. Suffice to say, we weren't particularly picky about our kitchen implements up to this point.

Taking advantage of two Bed, Bath and Beyond coupons that were available to us, my first acquisition was a Shun Classic 7" Hollow Ground Santoku. I figured, hey, all purpose knife, that pretty much fits our (or more specifically, Erin's) needs to a tee.

The Shun Classic, despite being Kai's intro line, is constructed quite well. At least to my amateur eyes. Way above the nameless brand we had before for sure. The thick, round, "D shape", Pakkawood handle feels great in my hand and the blade came out of the box impressively sharp. The Damascus look on the blade is subtle and attractive and the hollow ground indentations running along the length of the blade is supposed to minimize stickiness when slicing through food.

With my iPhones I tend to run through a couple of different cases throughout their lifetime. As is typical of every iPhone release, available cases during launch was pretty minimal. It was a little different this time around as Apple actually released their own bumper "case" for the iPhone 4. I passed on it though which apparently was a good decision. So I was fully expecting to be case-less for the next few weeks until the iPhone 4 cases started rolling in.

And then I walked into my local Best Buy store. Their iPhone 4 accessory section was pretty sparse. Not only because of the still early relative lack of options but because it was practically picked clean. Fortunately I was able to scrounge up one of these ifrogz LuxeLean cases which pretty much encapsulates everything I usually look for in an iPhone case.

Now my taste in cases, as in bags, runs to the minimalistic/barebones side. Since I don't make it a habit of dropping things, full on protection is not what I'm looking for. All I really want is a thin polycarbonate shell that hugs the gadget and protects the back and sides mainly from scratches. The ifrogz LuxeLean pretty much fits this to a T.

Most of the time, you can find these no-brand thin & slim cases on Amazon for like $10 or less. But that's usually a couple of months after launch and you pretty much get what you pay for. The ifrogz is a step up from those cheapo cases as the interior of the case is also colored (not the case sometimes if you go real cheap on Amazon) and they also put in a soft lining in the interior that covers a good portion of it. This protects the back of the iPhone from tiny dings and scratches that often occurs from small dust particles that can still make their way in-between these types of cases and the back of the phone.

Top and bottom protection is quite minimal, limited only to the corners really. The disadvantage is that most of the top and bottom are exposed and unprotected but the advantage is that most accessories that plug into the bottom port will work unimpeded with this case.

The right and left sides are mostly covered, with a large cutout for the mute and volume controls. They've also gone with a vented look for the sides which one may or may not like. I don't particularly mind it plus I think it's a good idea anyway since the iPhone 4 runs noticeably warm after extended use so any cooling effect will be helpful.

The back is fully covered with just the form-fitting opening for the camera lens and flash. And the ifrogz logo is small and unobtrusive towards the bottom. The feel of the case is nice and smooth. They call it the "Luxe Velvet Soft Finish." Um, sure. It feels nice to the touch but it's definitely not rubbery/grippy so if you've got naturally slippery hands, be warned.

Besides the green color that I got, this particular case also comes in iron and pink. Iron will most likely be the most popular but I rather like the green as it matches my Waterfield Cargo bag. =) Anyway, for those who prefer this type of iPhone case, the ifrogz LuxeLean will do the job quite nicely.

So last year I took a photo of all the bags I currently had in my possession at the time. Recently I've rejuggled a good portion of my lineup so I figured I'd take another shot. The good news is I much prefer this current crop of bags than the collection from last year. The bad news is, I actually increased my bag lineup by one. Even I know that eight bags is a bit much. =p

Looking at last year's group, the only leftover from then is the Waterfield Cargo bag (top left corner), which remains my daily bag, and the Bumbakpak Hybrid (top right corner). You don't see the Bumbakpak in this year's shot because I completely forgot about it when I was taking the photo. The Bumbakpak is actually one I tried to sell but no one wanted to buy. Not even on eBay. =p

As for the others, the two Crumpler photo bags were sold off and replaced by a single newer version. The small blue/black custom Timbuk2 messenger bag's strap buckle broke and was replaced under warranty with the brand spankin' new red/black bag. The Tom Bihn Buzz sling bag was eBay'd off and the Lowepro Classified 200 AW photo bag was craigslisted to make way for the ThinkTankPhoto Retrospective.

New for this year are the two backpacks: the ThinkTankPhoto Shape Shifter and the Timbuk2 Grubstake. The Shape Shifter is what I brought with me on last year's trip to Taiwan. And I really like it. The only negative being that you can't store a body w/a lens mounted on it. Everything is separated into their own individual pouches. The Grubstake is actually my newest acquisition and the reason I got it is because I can actually cram the Crumpler Six Million Dollar Home photo bag into it. Along with my 15" MacBook Pro. Why in the world would I want to do that? Well, during our Taiwan trip last year, I had to stow the Crumpler into our check-in luggage so that I'd have a camera bag to use while out & about. The Shape Shifter is great for transporting your gear long distances but I wouldn't use it as a daily bag. Now with the Grubstake, I can put my camera gear into the Crumpler and then stuff the Crumpler down into the backpack, freeing up a decent amount of space in our other luggage. It's a pretty tight fit however. So if airport security wants me to take everything out to show them why I have a bag within a bag, it's gonna be a bit of a hassle.

The other two new bags are both photo related: the ThinkTankPhoto Retrospective 30 and the ShootSac. The Retrospective is the largest camera bag in my arsenal. Used when I need to carry more than one body. The ShootSac is primarily a very light and non-bulky lens holder and it performs its function quite well. Use it mostly when I'm going somewhere where I know I'll want my camera out and ready to shoot at most times so don't need to bag it.

Anyway, I'll probably do individual write ups on the bags in the future so that's it for now. =)

Those who know me know that I've been a pretty avid anime fan since my college days. There was a lull during my first few years in the workforce when it fell a bit by the wayside but it began again in full force these last few years thanks to the ease of obtaining torrented fansub content and the explosion of commercial releases available through retailers and Netflix. While I have watched a significant chunk of series in the past almost twenty years, I'm definitely nowhere near the top.

When it comes to my personal collection of commercially available titles though, I have a pretty meager set (see photo above). I collect commercial anime titles the same way I collect regular movie titles. It's gotta be something that I believe I'll actually want to go back and watch numerous times years and years down the line. Or it holds some sort of sentimental value to me. Cause let's face it, there's way too many titles out there (past, present and future), and not enough time to watch most of them more than once. Unless you're independently wealthy and don't have to work for a living. Plus with services like Netflix around, that takes care of the huge chunk of good, but not great titles that I may want to see. Sure, I may not be fully supporting the US anime industry (which has apparently been about to go belly up for the past decade now =p) to my utmost ability but I'll leave that to the current crop of young otaku who don't have a wife and kid to feed. Along with two other, even more expensive hobbies. ;-p

First up, the ol' Kimagure Orange Road TV Series box sets. I remember these being a big deal back in the day. Here's a good writeup on exactly how this set came about. Yes I was amongst the initial 1000+ fans to petition AnimEigo for this set. So imagine my chagrin when they totally f'ed up my name in the credits. No, I'm not still bitter about it. ;-p

Back in the day, Maison Ikkoku and Kimagure Orange Road were my most-loved series. Since then, Maison Ikkoku has remained my number one while KOR has fallen by the wayside. I only recently noticed that AnimEigo had also released a DVD box set for it that's also out of print but I can't bring myself to spend anywhere between $400-750 for it as they seem to be going for on eBay.

Luckily, the 1D3 arrived yesterday. Making today the perfect opportunity to test out its weather-proofing in the snowstorm. The snow was coming down quite heavily with occasional high-speed gusts of wind. I had ventured out into a prior storm with the Canon 5D Mark II but that one didn't match the overall intensity of today's brew. I guess I shouldn't be surprised to report that the 1D3 + 24-70mm f/2.8 lens passed the bad elements test with flying colors.

The camera was pretty much covered with snow after less than two minutes outside. After awhile I had melted snow running down pretty much every part of the camera and lens. At one point I brought the camera to my face to find that even the viewfinder was covered with snow. But a few quick and awkward wipes from a gloved finger and I was back in business.

The above two shots I took after coming back inside and doesn't fully represent what the camera looked like while outside. It definitely took a nice shower out there for about a hour and a half. But after a quick towel off after coming inside, the camera was none the worse for wear. The only thing I had to do was go over the front element of the 24-70mm with a brush and Lenspen to clean off the moisture stains and residual dust. Heft-wise, I was pleasantly surprised. Overall weight with the 24-70mm wasn't too bad. I never thought it to be too heavy while in use. I expect this to be different though with a beefier lens like the 70-200mm f/2.8 IS. I bolted that on last night and yeah, it was a damn heavy combo.

It wasn't all roses shooting with the 1D3 though. For one, I probably won't ever use the vertically-oriented set of controls (nor will I ever buy a battery grip for the non-1D bodies) because I switch focus points using the little joystick. While this works fine in the regular horizontal position, the joystick is pretty much unreachable when shooting vertically unless you have massive hands. Then there's the lack of auto-ISO which I've gotten used to on both the 5D2 and 7D bodies. Yes, changing the ISO is pretty simple but still, I've gotten lazy. ;-p And also there's no way to save multiple custom shooting modes on the 1D3. And then chimping on a 230k dot 3" LCD is really a huge step down from the standard 920k units nowadays. Everything looks so murky comparatively.

As for the image quality, out of the camera, the images from the 1D3 at higher ISOs look noticeably less grainy than the ones from the 7D as expected. Other than that, I haven't noticed much else different between images from the two bodies. The only remaining aspect to compare would be the AF system, something that I haven't had the chance to try out yet. But so far, I don't think that a 1-series body would be the best fit for me. Right now the only thing I'm sure of with the 1D body is that I can take it out into pretty much any environmental condition without any hesitation whatsoever. The 5D2 and 7D weather-sealing may be just as good as the 1D bodies but I still feel more hesitant to bring those two out in the rain. Being able to hold the camera normally while shooting vertically would have been a plus but with the joystick location the way it is, that's pretty much not an option for me.

So for the time being, my dream camera still remains the full-frame sensor body of the 5D2 with the AF system of the 7D. C'mon Canon, that's not too much to ask for is it? =p

Obviously there were some much better days than others (I'm nowhere near the level where I can crank out stunning shots every day, unlike some other photographer's projects that I've run into throughout the year) but overall I had a good time doing it. Frankly I'm surprised that I actually completed it as there were quite a number of days where I was still scrambling to find something to shoot at 11:45pm. ;-p

It's going to feel a little strange not having to come up with something every day but I'm not sure if I can turn off the bit of my mind that's constantly on the lookout for an interesting view. This project has scarred me that much. =) I decided not to continue this year with the 365@50 project as I definitely feel the need for a break. But I may start dabbling in The Daily Shoot every now and again.

Anyway, I would definitely encourage anyone interested in starting a 365 project of your own. It definitely won't be a cakewalk but doing it in the company of others (even virtual) can help a lot. I'm not sure if there's any real words of wisdom I can pass along to those in search of inspiration during their projects except to peruse the works of others and when all else fails, go macro. ;-p

Ah yes, and lest I forget, Happy New Year everyone! May your 2010 be full of memorable moments. =)

After opening up a box of Dunkin' Donuts and moving to grab a chocolate kreme one (basically a white powedered donut filled with chocolate cream with a dollop of decorative chocolate cream hanging out of one side):

Devon [all excited]: Don't eat that! It's got doggy poo on it!

Ah I love my kid, always looking out for my best interests. That is when he's not busy pretending to rip my head off. =p

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Talking to my mother about my grandparents' old home (they've both passed on already) and why my mom and aunts haven't done anything with it yet, she mentioned that if they tried to sell it, it'd be a hassle cause they'd have to get my grandparents' permission. Confused, I asked her what she meant. Now, worshiping one's ancestors is pretty normal in Taiwan (I believe it's part of Taoism) and I had known that there was a little shrine on the top floor of the home where I'd always have to visit once whenever I returned to Taiwan to pay my respects to my grandparents. What I didn't know was that because this shrine was there, any future attempts to move it (which selling the home would ultimately lead to), required the deceased's permission.

And how exactly do you go about getting their permission? Basically you have these two curved wooden markers which you hold in your hand while standing in front of the shrine and conversing with them, explaining the situation and then asking for their answer. Then you cast the markers onto the floor (or whatever flat surface happens to be handy). Depending on which side up the markers wind up, that's your answer. If both markers land curving upwards, then the spirits have found your request highly amusing and are laughing their asses off. If both markers are curved down, then the answer is no. If one is up and the other is down, then yes.

To me, this seemed pretty much like gambling. Plus I couldn't see what was stopping anyone from just throwing the markers until you got your preferred answer. So then my mom went into some anecdotal stories (which I won't get into here to protect the innocent) about how the spirit(s) would keep refusing until the living had pretty much explained everything that could possibly be explained about the reasons for the request. Which, now that I think about it, is pretty similar to what parents have to go through when trying to explain things to toddlers. They're not verbal enough to let you know exactly what they're thinking so you wind up explaining things six ways to Sunday in an attempt to get them to logically accept that what you're trying to get them to do or believe is the right thing. Except I guess when you're talking to spirits you can't use the "Because I said so!" nuclear option. Or maybe you can, you'd just have to deal with some possible hauntings and unlucky events afterwards. =p Which again, is very much like dealing with unruly children. ;-p

But anyways, I just thought it was one of the more interesting conversations I've had recently. Plus the fact that the markers give you not just a simple yes/no answer but also a "we thought that was really damn funny" option I found highly amusing.

With 30 days left in my first 365 Project, I've been looking ahead and pondering whether or not to continue in 2010 with the 365@50 Project. I'm still undecided. Maybe I'll take a year off first. But just in case, I'll be testing out a few 50mm lenses as I don't currently own one. In my previous forays with the 50mm (I've owned at one point or another: Canon f/1.4, Canon f/1.2 and Sigma f/1.4), I've never been completely excited about it. Sharpness wide open never seemed to be that great (although to be fair, I've been comparing them to my 85mm @ f/1.2 that's wonderfully sharp).

The first two to arrive are the Sigmalux (Sigma 50mm f/1.4) and the Zeiss Planar 50mm f/1.4 ZE. The Sigma is still a tank, large and well-built. Bokeh is still as creamy as ever but this particular copy seems to be a bit softer than I was expecting wide open. The Zeiss follows more along the lines of the Canon and Nikon 50mm f/1.4s in size except it's fantastically well-made with its all-metal body (even the hood is metal!). Its bokeh does not lose out much if at all to the Sigma and it does seem to be sharper wide open although kind of hard for me to tell at times because it's still tough to nail focus through the 5D2's viewfinder (even with the EG-S focus screen) at that large aperture. But I'm very impressed with it. I just wish it had autofocus. =\

Anyway, I'm expecting the Canon f/1.4 and f/1.2 either today or tomorrow so will be posting another pixel peeping post in the next few weeks. Should be interesting. =)

Devon: I have something stuck between my teeth.
Erin: Oh? Where is it? Let me see...
Devon: Something's stuck in there, you need to get it out with candy.
Erin: Something's stuck? Let me get the toothbrush.
Devon: Never mind, it fell out.

Mom: 1, Devon: 0.

(l to r) Etymotic hf2, Shure SE115m+, Klipsch IMAGE S4i

A more impatient fellow would have given up after the second occurrence of this issue and probably switched to another brand. Luckily for Etymotic, and unfortunately for me I guess, I still stuck with them because there weren't any other iPhone-compatible earphones that could compare at the time. When it wasn't broke, the hf2 was still the best-sounding microphone and controller-equipped earphone available.

So I've owned the Panasonic LX3 for quite some time now and overall I like it a lot as my DSLR alternative. The only weaknesses being its limited pocketability and short zoom range (24mm-60mm). For a point & shoot, it's packed full of yummy features and controls that will satisfy the majority of control freaks out there. Enter the Canon S90. Reborn from the ashes of the old S-series (which hadn't been updated for 4 years), the S90 brings back the RAW-shooting capability of its S70 progenitor and more importantly, does it in a significantly smaller body.

One other notable feature on the S90 is the large lens aperture (for a point & shoot) on the wide end (f/2.0 at 28mm). Unfortunately that wide aperture isn't maintained across the zoom range (dropping down to f/4.9 at 105mm) but I assume that wouldn't have been possible without increasing the size of the camera significantly. Now the LX3 is also capable of f/2.0 at its widest setting (24mm) and that decreases slightly to f/2.8 at its longest (60mm). So it's only natural to compare the two although the S90 is one stop slower (f/3.5) around the 60mm range.

For this shootout, I'm only testing the JPEGs, not the RAWs, from each camera. Photos were shot in Av mode, white balance was set to Tungsten, image stabilization was turned on and i-Contrast was set to Auto on the S90 while iExposure was set to Standard on the LX3.

So, during the time that this blog was down, we took a trip to Taiwan. Our Taiwan trips seem to pretty much fall into the same pattern over the last few years: lunch/dinner with relatives, lunch/dinner with friends, lunch/dinner with old coworkers, wandering around department stores, paying an amount that I would never even consider paying in the States for a haircut, and a trip to the dentist. During our last trip, I traveled light when it came to photo gear. Packed just a Nikon D80, a Nikkor 18-200mm f/3.5-5.6 VR, and a Sigma 30mm f/1.4 in a Crumpler Sinking Barge backpack. Also used a Crumpler 5 Million Dollar Home bag for everyday use. This time, I thought I'd be a masochist and bring more gear.

To that end, I settled on the following kit:

• Nikon D700 + 2 extra batteries
• Nikkor 14-24mm f/2.8 G
• Nikkor 24-70mm f/2.8 G
• Nikkor 105mm f/2.8 VR Micro
• Sigma 50mm f/1.4
• Lensbaby Composer + full array of conversion lenses